Monday, September 12, 2016

Film: "100 Yen Love" (2014)

Earlier this year I went to see a film in the film festival and actually saw the film. Jurassic Park! The film I saw was 100 Yen Love, about this waster Japanese woman who is kicked out by her parents and gets a job in a convenience store working the night shift. After doing this for a while she starts taking an interest in boxing, initially because she fancies this guy who keeps training in the local boxing club. Then she takes up boxing herself and it kind of turns her life around. It was an interesting film, providing an insight into a Japanese world of slackers a world away from the salarymen, gangsters or samurai who normally show up in the Japanese films that make it to the West. I'm not sure I liked it that much, though. It seemed a bit unsure of its tone, as to whether it was a funny film about the main character and her funny slacker world or a serious film about her overcoming her demons and getting back on the straight and narrow. I suppose films can be both.

There is one scene in the film that was a bit difficult for me to watch but has had me thinking afterwards. When the woman goes to work in the convenience store she has this co-worker who is also a bit of a loser (hence working in convenience store) but also a bit of dickhead. He is racist and also sleazy, continuously hitting on the protagonist in an unappealing manner. But this is all kind of presented as being a bit funny, in the way that sleazy characters often are in fiction. Then on a night out where they go for drinks after a boxing match he takes the protagonist to a cheap hotel and rapes her. This is clearly not funny, but it did make me think about how sleazy characters (in real life and fiction) may only be a step away from this kind of assault but still are treated in somewhat comedic terms until they actually go that far. These people are only funny if you are not the one worrying about being stuck in a lift with them.

image source (Wikipedia)

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